A different student this time  -- proof, in a way, that the "system" works:  It was not the first time that she opened the Sonata No. 1 (Op. 2, No. 1) playing all white keys in the first bar, which is the logical thing to do following the opening middle C.  
Such "errors" lead directly to the wit of Beethoven and the sense of the entire composition.  
Knowing theory, even knowing the key signature in a theoretical sense, obscures the humor, lessens the fun.
Why not listen one tone at a time?
 


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